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Israel Carranza is an artist from Zion, Illinois of Indigenous descent. Being exposed to art and music at an early age, he wanted to be a creator, but growing up with no mentor, Israel sought out art wherever he could find it. He actively read about Mexican and Amerindian painters and looked for Latin fusion music to find inspiration. Israel pursued a Bachelor of Fine Arts and Illustration from the American Academy of Art in Chicago, so he could obtain the tools to hone his artistic style. While a student, he practiced his abstract expressionist discipline, and he interned at the Zhou B Art Center, where he organized and installed large art exhibitions from national and international artists. As a Mixed Mexica man, he is committed to increasing equity in the art world, and on his own time, he works to introduce underserved communities to art through public galleries. Since graduating from college, Israel has organized twelve art exhibitions in a variety of community locations. Before the pandemic, he was working in California as an art receiver handling pieces from creators like Daniel Arsham, and recently, he moved to Nebraska where he plans to work collaboratively with local artists in order to motivate young creators. Israel’s lifelong goal is to diversify the art world by increasing representation of Indigenous people through gallery exhibits, community conversations, and artistic collaboration. For six years, he has developed a mixed-media portfolio influenced by Mesoamerican people. His paintings and digital work are studies of Amerindian relics as he incorporates ancient deities, sharing their stories and representing them in a surreal and expressionistic style. Israel is committed to continue increasing the visibility of Native history and cultures, so their people can be inspired by their ancestors to thrive as a community.
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Abstract Aztec Exhibit
Showcased paintings of modern interpretations of Mesoamerican deities and important figures in abstract expressionism style.
Abstract Aztec Exhibit
Showcased paintings of modern interpretations of Mesoamerican deities and important figures in abstract expressionism style.
Implemented equitable engagement to recruit underserved communities to my guided tours.
Organized exhibit, recruited artists, and received and installed artwork. Showcased paintings of modern interpretations of Mesoamerican deities and important figures in abstract expressionism style.
Showcased abstract and surreal paintings.
Organized live music event, recruited artists, and managed logistics. Showcased abstract paintings.
Showcased abstract drawings with marker to emphasize line.
Showcased Abstract Aztec paintings.
Organized art exhibit and live music event, recruited artists, and received and installed artwork. Showcased abstract paintings.
Organized live music event, recruited artists, and managed logistics.
Organized art exhibit and live music event, recruited artists, and received and installed artwork. Showcased abstract paintings.
Organized art exhibit and live music event, recruited artists, and received and installed artwork. Showcased abstract paintings.
Organized a cultural festival, coordinating 15 musical performances, 5 artists, and 6 vendors, featuring mostly artists of color and achieving over 400 guests.
Organized art exhibit and live music event, recruited artists, and received and installed artwork. Showcased abstract paintings.
Performed with my Blues Rock N Roll band.
Organized exhibit and live music event and installed artwork. Showcased ink drawings.
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https://www.facebook.com/Whatisrealstudios/videos/1049437872473351In partnership with the Brushwood Center at Ryerson Woods and Arts Alliance Illinois, I created this subtitled and bilingual storytelling video. It shares portraits of Lake County community members and frontline workers and their accounts on how they found joy during the pandemic and how the vaccine affected their lives.
Collaborated with Dandelion Art Gallery to host community painting event and display art celebrating diversity. Fundraised $500 for art supplies.
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The painting shows how Aztec Quetzalcoatl, plumed serpent god of wisdom and wind, descent into Mictlan, the underworld, to collect the bones of the humans of the past. He had to go through Mictlantecuhtli, lord of the underworld, to get back out of Mictlan. I showed it in this particular style, to show the chaotic nature of what one can go through and still find peace with themselves to get through obstacles of life. I choose to depict this because to me, it is a very important piece of art and an interesting story to tell. Their story has continued to be relevant throughout the century because it conveys that people can go through hell, but if we are clever enough, we could find our way out and escape it.
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